964 Pinocchio (1991)

Back in 1991, Shozin Fukui and crew created a no-budget movie that provided yet another view of Japanese Cyberpunk, one very different from the first Japanese Cyberpunk movie, Tetsuo. In 964 Pinocchio, we don’t get an external merging of man and machine parts – instead, we see the residue of extreme internal struggles – ones that overwhelm the protagonists. The images are very intense, and the pacing is erratic and fast paced. While this movie is uneven and haphazard in places, 964 Pinocchio is definitely a unique experience.Back in 1991, Shozin Fukui and crew created a no-budget movie that provided yet another view of Japanese Cyberpunk, one very different from the first Japanese Cyberpunk movie, Tetsuo. In 964 Pinocchio, we don’t get an external merging of man and machine parts – instead, we see the residue of extreme internal struggles – ones that overwhelm the protagonists. The images are very intense, and the pacing is erratic and fast paced. While this movie is uneven and haphazard in places, 964 Pinocchio is definitely a unique experience.
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