Pink Floyd - More (1969)

Soundtrack from the Film More is the first full-length soundtrack album by the English rock band Pink Floyd, released on 27 July 1969. The film More was made in Luxembourg in 1969 and was directed by Barbet Schroeder. In it, two songs can be heard that were not included on the album: "Seabirds", and "Hollywood". The album actually comprises the other music used in the film, sometimes in a completely different form.[citation needed]

The original American edition shortened the title to just More. This was the last of three Pink Floyd albums to be released in the United States by the Tower Records division of Capitol Records. The 1973 US re-issue was released on Harvest Records. Although the CD edition restores the original United Kingdom title in all countries, it is represented differently on the spine (Music from the Film More) and label (Soundtrack to the Film More).

More contains some acoustic folk ballads, a genre that appeared sparsely on later works. It also contains a couple of hard rock songs ("The Nile Song", "Ibiza Bar"), as well as several instrumental tracks, featuring their experimental (or avant-garde) approach.

This is Pink Floyd's first full album without founding member Syd Barrett, who was ousted from the group in early 1968 during the recording of their previous album, A Saucerful of Secrets. It is also the first album to be produced by Pink Floyd without assistance from Norman Smith and was recorded at Pye Studios, Marble Arch, London and engineered by Brian Humphries.

Artist: Pink Floyd
Title Of Album: More
Year Of Release: 1969 /1987, 1st U.K. issue/
Label: EMI
Genre: Progressive Rock | Psychedelic rock
Format: FLAC (image+.cue+.log+Covers)
Quality: Lossless
Total Time: 45:01 min
Total Size: 214 mb

Tracklist
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01. Cirrus Minor
02. The Nile Song
03. Crying Song
04. Up The Khyber
05. Green Is The Colour
06. Cymbaline
07. Party Sequence
08. Main Theme
09. Ibiza Bar
10. More Blues
11. Quicksilver
12. A Spanish Piece
13. Dramatic Theme

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The Proposition OST

The Proposition is a soundtrack recorded by Nick Cave in collaboration with Warren Ellis, and was produced for the film The Proposition, released in October 2005.

This album is instrumentally focused, and is a departure from Cave's band-oriented compositions. All tracks are directly reproduced from the musical interludes in the film, and feature little alteration from the film score. Many songs on the album are slow-tempo and ballad-like, and the violin work of Warren Ellis becomes the central voice of the album for much of the time. Cave's unusual vocal performances on the "Rider" trilogy of songs brings a particularly haunting and uneasy tone to the album.

Nick Cave & Warren Ellis
Released: 13 Mar 2006
Tracklist:

01. Happy Land
02. The The Proposition, Pt. 1
03. Road to Banyon
04. Down to the Valley
05. Moan Thing
06. The The Rider, Pt. 1
07. Martha's Dream
08. Gun Thing
09. Queenie's Suite
10. The The Rider, Pt. 2
11. The The Proposition, Pt. 2
12. Sad Violin Thing
13. The The Rider, Pt. 3
14. The The Proposition, Pt. 3
15. The The Rider Song
16. Clean Hands, Dirty Hands


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Apocalypse Now OST

"Saigon. Shit, I'm still only in Saigon." So begins Francis Ford Coppola's epic journey down the rivers of the Vietnam War into a world paralysed by rationalised insanity and ritual murder. The horror of this alternate reality is scrutinised on this collection, which contains not only the film's score, written by the director and his father, but also a hefty portion of the original dialogue and sound design of the film. And frankly, the most chilling and absorbing part of the film is Captain Willard's weary yet brilliantly evocative narration on the absurd, plus Colonel Kurtz's free-associated meditations on death, snails crawling across straight razors and more death. While Coppola's score is less over-the-top than the dialogue, it still makes the listener shiver. Much of the music is akin to a Vangelis score with added spleen: vicious, shimmering washes of synthesiser with notes waiting to cave inward like a circus big-top tent on fire, as in the bedlam of "Do Lung Bridge". Toss in The Doors' violent hedonism on "The End", tribal war drumming and a word or two from both Wagner and Flash Cadillac and you have your own audio journey into the heart of darkness. To paraphrase Martin Sheen's Willard: it's a choice mission, and once it is over, you'll never want another.


Disc 1
01. - The End
02. - Saigon
03. - The End Part 2
04. - Terminate
05. - The Delta
06. - P.B.R.
07. - Dossier
08. - Colonel Kilgore
09. - Orange Light
10. - The Ride Of The Valkyries
11. - Napalm In The Morning
12. - Pre-Tiger
13. - Dossier #II
14. - Susie Q
15. - Dossier #III
16. - 75 Klicks
17. - The Nung River

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Disc 2
01. - Do Lung Bridge
02. - Letters From Home
03. - Clean's Death
04. - Chief's Death, Strange Voyage
05. - Strange Voyage
06. - Kurtz' Compound
07. - Willard's Capture
08. - Errand Boy
09. - Chef's Head
10. - The Hollow Men
11. - Horror
12. - Even The Jungle Wanted Him Dead
13. - The End

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Carter Burwell – The Hudsucker Proxy (1994)

Unfairly dissed at the time of its release (1994), The Hudsucker Proxy has gained many supporters over the years but still, in my opinion, has much re-appraising to go through. One aspect of the Coens’ return to screwball comedy that barely anybody mentions is its score. That’s a shame because it is grand and majestic with a compelling compassion for the characters even at their most pathetic. Reportedly loosely based on the “Adagio” and “Phrygia” movements of the ballet Spartacus by Aram Khachaturian, the music swells with proper punctuation throughout Tim Robbins’ crazy climb up the corporate ladder. A few perfect-for-period Duke Ellington numbers make the cut too but the icing on the Coens’ cake musically is the cameo by Peter Gallagher as fictitious crooner Vic Tenneta who briefly steals one nightclub scene with his rendition of “Memories Are Made Of This”.

01. Prologue
02. Norville Suite
03. Waring’s Descent
04. The Hud Sleeps
05. Light Lunch
06. The Wheel Turns
07. The Hula Hoop
08. Useful
09. Walk of Shame
10. Blue Letter
11. A Long Way Down
12. The Chase
13. Norville’s End
14. Epilogue
15. Norville’s Reprise

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The Man with the Golden Arm OST (1955)

01. Clark Street (The Hop / Homecoming / Antek's)
02. Zosh
03. Frankie Machine
04. The Fix
05. Molly
06. Breakup (Flight / Louie's / Burlesque)
07. Sunday Morning
08. Desperation
09. Audition
10. The Cure (Withdraw / Cold / Morning)
11. Finale
12. Wild and Crazy
13. Exotica
14. Smooth
15. Just A Little Jazz
16. Nightcap
17. Return Of The Man

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Vampire Hunter D Soundtrack (1986)

Tracks List:
01. mamono-tachi no yoru / Night of Demons 4:20
02. D fukkatsu / Resurrection of D 2:09
03. D zetsumei / Death of D 2:48
04. kyuuketsuki Lee hakushaku (toujou) / Earl Lee, the Vampire (Entrance) 4:15
05. kizoku no konrei / Marriage of Nobles 1:31
06. kyuuketsuki Lee hakushaku (shi) / Earl Lee, the Vampire (Death) 7:40
07. D no teema (toujou) / Theme of D (Entrance) 3:39
08. yakusoku (part I) / Promise (part I) 3:07
09. D no teema (Doris no ai) / Theme of D (Doris's Love) 3:22
10. Doris dakkai / Rescuing Doris 5:19
11. D no teema (wakare) / Theme of D (Parting) 3:26
12. yakusoku (part II) / Promise (part II) 3:10

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The Keep OST

The Keep (1997) is the soundtrack to the movie The Keep (1983) by the German electronic music group Tangerine Dream. A limited run of 150 CDs were sold at a concert by the group in the UK in 1997. Virgin soon announced that the album would be available for general release in early 1998, but legal issues with the film studio stopped the release. In 1999, Tangerine Dream's own record label sold 300 copies of the Millennium Booster album set that included The Keep with a different cover.

01. "Puer Natus Est Nobis"– 3:09
02. "Ancient Powerplant"– 4:28
03. "The Silver Seal"– 3:07
04. "Voices From A Common Land"– 4:06
05. "Arx Allemand"– 4:24
06. "The Night In Romania"– 3:15
07. "Canzone"– 2:51
08. "Sign In The Dark"– 4:19
09. "Weird Village"– 3:23
10. "Love And Destiny"– 3:31
11. "The Challenger's Arrival"– 4:32
12. "Supernatural Accomplice"– 4:07
13. "Parallel Worlds"– 4:29
14. "Truth And Fiction"– 2:52
15. "Wardays Sunrise"– 3:20
16. "Heritage Survival"– 4:13

"Puer Natus Est Nobis" is a Christmas mass composed by Thomas Tallis around 1554 - this track is from the introit "Gloria" and is credited as "Gloria" from the "Mass for Four Voices". This theme appears in the film when the demon saves Eva from the soldiers. "Heritage Survival" and "The Night In Romania" first appeared in several live concerts during the 1982 "Logos" tour, but were not titled as such until the soundtrack release. The tracks appear in the film when Dr Cuza rejects the demon. "Canzone" appears to be an original composition for the film. None of the other tracks were included in the actual film score.

A rerecorded version of "The Challenger's Arrival" was released on the album Tangerine Dream Plays Tangerine Dream in 2006, and in 2007, "Ancient Powerplant" was included in the Ocean Waves Collection, available for download from the Tangerine Dream website.

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There Will Be Blood OST

It is rare that a movie soundtrack can be taken as a standalone. That is to say it is difficult to take a soundtrack without colouring your opinion with your knowledge of the story or of the movie experience.

But this is a rare beast. Entirely orchestral in its construct, immediately drawing you into the mood and mix of sinister and celebration, this is a soundtrack that takes you on an emotional journey all by itself. However, as the title of the Album intimates that journey is not full of green fields and dancing hobbits. Instead the mood is dark and often malevolent, which gives me to believe that the movie must be about the want of men and what they will do to obtain it.

Very much in the same mould as Michael Nyman soundtracks in the way it influences mood, this is not easy listening, but is very evocative and will take your mind on a journey while stimulating the imagination. Highly recommended !!!

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Inland Empire OST

Whether you believe "Inland Empire" is a great film filled with mystery, or a meaningless assemblage of unsettling scenes, you can't deny that it has a great soundtrack. Sound design has become so important to Lynch that all of his films since "Lost Highway" feature a constant extra-diegetic sound source of some sort. In "Lost Highway", there were obvious musical selections separated by ominous rumblings and barely audible industrial sounds. Now in IE, the distinction between what is "music" in the traditional sense and what is ambient sound is almost totally blurred. Not all music has melody, and not all ambient sound is without melody - even if only in an abstract sense. While I'm disappointed that Angelo Badalamenti didn't collaborate, Lynch seems to have taken on the task himself with great success.

In many ways, this is an interesting companion to the film. It appears that Lynch created lengthy selections, which he subsequently cut and arranged to work with the editing and flow of the film. Now, we're able to hear them in their entirety, as Lynch originally conceived them. To me, it's a fascinating window into his creative mind.

Beyond Lynch's original material, there are some interesting selections ranging from Beck to Penderecki's intense modernist works. The big disappointment for me was the curious omission of the music from the burlesque club scene. It was a great subversion of sleazy stripper jazz into something atonal, but still groovy.

Finally, many speculate that a lot of the film is explained in the lyrics of "Polish Poem", and this is an easy way to hear it. There do seem to be some answers, but as is typical for Lynch, they're clouded in vague, poetic language and end up raising more questions than they answer.

01. David Lynch - Ghost of Love
02. David Lynch - Rabbits Theme
03. Mantovani - Colors of My Life
04. David Lynch - Woods Variation
05. Dave Brubeck - Three To Get Ready
06. Boguslaw Schaeffer - Klavier Konzert
07. Kroke - The Secrets of the Life Tree
08. Little Eva - The Locomotion
09. David Lynch - Call From the Past
10. Krzysztof Penderecki - Als Jakob Erwachte
11. Witold Lutoslawski and Joey Altruda - Novele
12. Beck - Black Tambourine (film version)
13. David Lynch - Mansion Theme
14. David Lynch - Walkin' on the Sky
15. David Lynch and Marek Zebrowski - Polish Nig
16. David Lynch and Chrysta Bell - Polish Poem
17. Nina Simone - Sinnerman (edit)

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Cat People OST (1982) - Giorgio Moroder

Perhaps best known for his Oscar-winning "Midnight Express" score and his disco collaborations with Donna Summer, composer Giorgio Moroder's finest work can be heard on "Cat People" (1982). Like the Paul Schrader film it accompanies, Moroder's score remains a masterpiece of mood and atmosphere - featuring David Bowie's excellent title song (subtitled "Putting Out Fire"). It should be noted that Moroder utilized a different recording for the movie, which is equally memorable. Hopefully, the "Cat People" CD will be reissued with additional music from the film soundtrack.

01. Cat People ("Putting Out Fire") 6:46
02. The Autopsy 1:32
03. Irena's Theme 4:22
04. Night Rabbit 2:00
05. Leopard Tree Dream 4:03
06. Paul's Theme (Jogging Chase) 3:54
07. The Myth 5:13
08. To The Bridge 2:52
09. Transformation Seduction 2:46
10. Bring The Prod 1:57

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The Abyss - Alan Silvestri

01. Main Title
02. Search The Montana
03. The Crane
04. The Manta Ship
05. The Pseudopod
06. The Fight
07. Sub Battle
08. Lindsey Drowns
09. Resurrection
10. Bud’s Big Dive
11. Bud On The Ledge
12. Back On The Air
13. Finale

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Get Carter OST - Roy Budd

Digitally remastered reissue & the worldwide CD debut of thejazzy soundtrack by noted British film composer Roy Budd to this 1971 British gangster movie starring Michael Caine as ablood-thirsty mob boss out for vengeance after his brother is murdered. 24 tracks, including instrumental versions of 'Getting Nowhere In A Hurry' & 'Hallucinations' added as bonus tracks. The disc comes in a standard jewel case, which comes in a full color slipcase sleeve with an 11' x 15' fullcolor, fold-out replica of a promotional movie poster for the film.

01. Intro
02. Dialogue
03. Main Theme - Carter Takes A Train
04. Dialogue
05. Looking For Someone
06. Dialogue - The Race Track
07. Something On My Mind
08. Dialogue
09. Getting Nowhere In A Hurry
10. Dialogue
11. The Girl In The Car
12. Dialogue
13. Love Is A Four Letter Word
14. Dialogue
15. Livin' Should Be This Way
16. Dialogue
17. Manhunt
18. Dialogue
19. Goodbye Eric!
20. Goodbye Carter!
21. Hallucinations
22. Plaything
23. How About You
24. Getting Nowhere In A Hurry - I

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Rumble Fish OST - Stewart Copeland

01. Don't Box Me In
02. Tulsa Tango Listen
03. Our Mother Is Alive
04. Party At Someone Else's Place
05. Biff Gets Stomped By Rusty James
06. Brothers On Wheels
07. West Tulsa Story
08. Tulsa Rags
09. Father On The Stairs
10. Hostile Bridge To Benny's
11. Your Mother Is Not Crazy
12. Personal Midget/Cain's Ballroom
13. Motorboy's Fate

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Let The Right One In OST - Johan Soderqvist

01. The Arrival (02:46)
02. Eli And Oscar (03:12)
03. Eli's Theme (02:41)
04. The Slaughter (02:49)
05. Oscar In Love (02:11)
06. Hiding The Body (01:34)
07. After The Fight (01:06)
08. Oscar Strikes Back (01:37)
09. Virginia Wakes Up (01:10)
10. The Father (01:47)
11. Spotting A Victim (01:12)
12. Giving Up (02:20)
13. Death of Hakan (02:18)
14. Virginia Is Bitten (02:31)
15. Then We Are Together (02:42)
16. Virginia In Flames (02:15)
17. Eli Bleeds (01:45)
18. Related By Blood (01:34)
19. Lacke Dies (01:47)
20. Going Home (01:40)
21. Let The Right One In (05:49)

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Colpo Rovente OST - Piero Piccioni

Piccioni's superb soundtrack to the 1969 Italian thriller Colpo Rovente from director Piero Zuffi. Mad rhythms, driving orchestral tunes, beautiful bass lines and some fat drum beats mix nicely with the spacey tracks and jazzy motifs. Another essential one.

01. Colpo rovente (03:14)
02. Kintabú (01:25)
03. Black flower (03:24)
04. Identikit (01:29)
05. LSD (red hot) (02:41)
06. Eros (02:03)
07. Fuoco (02:05)
08. Easy dreamer (choir) (02:46)
09. Chinatown drugs (03:21)
10. Endless love (02:18)
11. Colpo rovente (red hot) (01:43)
12. Mexican dream (02:01)
13. Acapulco (02:51)
14. Big chase (02:06)
15. Colpo rovente (alt.) (02:30)
16. Kintabú (alt.) (01:30)
17. Identikit (01:55)
18. LSD (alt.) (01:32)
19. Eros (alt.) (01:53)
20. Colpo rovente (alt. live) (03:44)
21. Easy dreamer (alt.) (02:52)
22. Mexican dream (alt.) (01:52)
23. Senza via d'uscita (03:47)
24. Acapulco (shake) (02:31)
25. Occhio dell'uragano (01:32)
26. Acapulco (alt.) (02:10)
27. Colpo rovente (film end titles) (03:31)

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The Great Mouse Detective OST

"The Great Mouse Detective" is a film that suffers with a slight split personality. Three fourths of the movie is typical cutesy Disney fare; the last fourth, featuring the battle between the good detective and the evil Ratigan is somewhat intense, possibly a little too intense for the very young.

Mancini's score reflects this. The main title is exciting and engaging. Vincent Price's solo turns on "The World's Greatest Criminal Mind" and "Goodbye So Soon" are hilarious and melodic, in a sinister way. As an earlier reviewer stated, the Melissa Manchester addition "Let Me Be Good to You" is quite provocative for a "G-rated" family film.

The "Big Ben Chase" is ominous and thrilling as the two rodents are involved in a deadly battle atop London's famous landmark. Mancini's music has never been more "on the mark."

Look strange...but the music is amazing!!!

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Mulholland Dr. OST

Like every collaboration between David Lynch and Angelo Badalamenti, Mulholland Drive's soundtrack is equally eerie, elegant, and eclectic, spanning the up-tempo swing of "Jitterbug" and the haunting drones of the film's main theme in its first two tracks alone. Badalamenti's work ranges from the jazzy "Dinner Party Pool Music" to the ominous ambience of "Diner," "Silencio," and "Dwarfland/Love Theme." Lynch's own surfy, guitar-based compositions, "Mountains Falling" and "Go Get Some," aren't quite as transporting as Badalamenti's pieces, but they do offer a sonic twist on the sunny California that Lynch subverts in the film. Similarly, Linda Scott's sugary-sweet "I've Told Every Little Star" takes on a slightly disturbing edge in the context of the album, while "Llorando," Rebecca Del Rio's Spanish a cappella version of Roy Orbison's classic "Crying," only sounds more vulnerable and heart-wrenching. More focused than the Lost Highway soundtrack and more traditionally Lynchian than the score for The Straight Story, Mulholland Drive is a mysterious and affecting soundtrack from one of the most consistently creative teams working in film.

01. Jitterbug
02. Mulholland Drive
03. Rita Walks/Sunset Boulevard/Aunt Ruth
04. Diner
05. Mr. Roque/Betty's Theme
06. The Beast
07. Bring It On Home
08. I've Told Every Little Star
09. Dwarfland/Love Theme
10. Silencio
11. Llorando (Crying)
12. Pretty 50s
13. Go Get Some
14. Diane And Camilla
15. Dinner Party Pool Music
16. Mountains Falling
17. Mulholland Drive/Love

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Dead Man OST - Neil Young (1996)

Neil Young recorded the soundtrack by improvising (mostly on his electric guitar, with some acoustic guitar, piano and an) as he watched the newly edited film alone in a recording studio -of course, Young did compose the main body of the soundtrack before improvising the entire work. The soundtrack album consists of seven instrumental tracks by Young, with dialog excerpts from the film and Johnny Depp reading the poetry of William Blake interspersed between the music.

Dead Man is the soundtrack to the 1995 Jim Jarmusch western-themed film of the same name starring Gary Farmer and Johnny Depp as William Blake. Neil Young recorded the soundtrack by improvising (mostly on his electric guitar, with some acoustic guitar, piano and an) as he watched the newly edited film alone in a recording studio. The soundtrack album consists of seven instrumental tracks by Young, with dialog excerpts from the film and Johnny Depp reading the poetry of William Blake interspersed between the music. The version of the main theme used over the film’s beginning and end credits is not included, but was released as a promo single.

Track Linsting:
1. Guitar Solo, No. 1 5:17
2. The Round Stones Beneath the Earth 3:31
3. Guitar Solo, No. 2 2:03
4. Why Does Thou Hide Thyself, Clouds 2:24
5. Organ Solo 1:33
6. Do You Know How to Use This Weapon? 4:24
7. Guitar Solo, No. 3 4:31
8. Nobody’s Story 6:35
9. Guitar Solo, No. 4 4:22
10. Stupid White Men 8:45
11. Guitar Solo, No. 5 14:40
12. Time for You to Leave, William Blake :51
13. Guitar Solo, No. 6 3:22

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The Thing OST - Ennio Morricone

Ennio Morricone made a few disgruntled comments about Carpenter's use of his score in The Thing. Mainly he was disappointed that Carpenter, after publicly stating he wanted a European sound to the music, simply used the music that sounded most like his own compositions. Further insult was added when Carpenter created several cues to mix in with Morricone's (even as a youngster I could clearly recognize Carpenter's work when I heard it in the film on its opening weekend).

Despite that, like the soundtrack for Dawn of the Dead, this soundtrack release contains all the music Morricone composed for the film and none of Carpenter's work. How well some of the tracks would have fit into the film, and where, is anybody's guess.

Morricone's score is, in the end, a superb effort that captures the tone and mood of the film beautifully and achieves the same level of excellence as Goldmsith's score for Alien and Williams's score for Jaws. An essential soundtrack in any library.

01 Humanity (Part I)
02 Shape
03 Contamination
04 Bestiality
05 Solitude
06 Eternity
07 Wait
08 Humanity (Part II)
09 Sterilization
10 Despair
11 Humanity (Movie Version)

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Shogun Assassin OST (1980)

1. The Legend Of Lone Wolf (05:12)
Narration by Gibran Evans
2. Daigoro's Theme (03:08)
3. Assassin With Son (04:35)
4. The Ninja (04:55)
5. Voyagers (03:15)
6. Crimson Sky (04:58)
7. Eyes Of A Demon (02:16)
8. Dune (03:47)
9. Lone Wolf's Theme (04:19)

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