"The television screen is the retina of the mind's eye. Therefore, the television screen is part of the physical structure of the brain. Therefore, whatever appears on the television screen emerges as raw experience for those who watch it. Therefore, television is reality, and reality is less than television" - Videodrome
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controversial, cult, bizzare, dystopian, cyberpunk, propaganda, surreal, avant-gard, exploitation, underground, noir, neo-noir, acid western and many more subgenres only at Videodrome
The movies marked with the label BMI thay are find at Black Market International. A (ex)site specialized for extra rare movies. In near future i will try to find and post all movies.
Inland Empire is a surrealistic, psychological thriller film, written and directed by David Lynch. It was his first feature-length film since 2001's Mulholland Drive, and shares many similarities with that film. It premiered in Italy at the Venice Film Festival on September 6, 2006. The feature took two and a half years to complete, and was Lynch's first film to have been shot entirely in standard definition digital video. David Lynch believes that his new film makes sense. In fact, that it makes perfect sense. And not only is he not joking; he’s saying this about the most screwed-up, far-out film he’s made since Eraserhead. It’s a three-hour psychotropic odyssey that throws conventional narrative out of the window. Characters mutate and morph, time zones overlap, and wormholes connect worlds within worlds within worlds. But through it all Lynch maintains an astonishing sense of commitment that almost dares you to keep up: if Mulholland Drive laid down the gauntlet, Inland Empire (Lynch insists the title be capitalised) is the duel that follows, a mystery like nothing you’ve ever seen before...
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